TalkieWalkie

Alexis Tyrsa designed the titles for each episode of SWARM, the new mini-series created by Janine Nabers & Donald Glover. In an "analog" approach, the series having been shot entirely on film, Alexis imagined for each episode a custom title created by hand, whether drawn with chalk, painted with watercolors, acrylics or cut out of paper.

Debora Szpilman collaborates again with Les Echos Week-End, illustrating this time the afterwork phenomenon. Since the pandemic, the confinements and the generalization of teleworking, the after works have been reinvited in the professional daily life.

A few months ago, Jean Jullien illustrated an article on the comeback of the Parisian left side for Le Monde magazine: while trendy chefs are starting to overcrowd the right side, Parisian chefs are gradually moving to the other side of the Seine...

The era of rationing, a rather anxious subject, but nevertheless illustrated with humor by Jules Le Barazer for the magazine Socialter!

Debora Szpilman continues her collaboration with the NY Times and celebrates Love on the front page of the Sunday style! To illustrate the importance of language in relationships, she created a beautiful choreography of characters hugging each other around the title of the article "Linguistics of love".

Jean André signs a 3rd collaboration with the Japanese brand Ron Herman, around a limited edition of unique pieces entitled "Whole Love". Each illustration has been hand-silk-screened in different spots on a series of iconic pieces from the RH Vintage collection, and each label has also been numbered and hand-signed.

For the second year in a row, Marie-Laure Cruschi created the greeting card for the Becouze accounting firm. This time, she places one of their employees in an enchanted forest setting in the middle of autumn. We are tempted to join them by the fire.

In response to a critical lack in his son Corto's life, Jean André has created and designed a 7 families game exclusively dedicated to tyrannosaurs! Do not hesitate to order your own here.

For the past few months, Jean-Michel Tixier has been regularly collaborating with France Culture to illustrate podcast series produced by the radio.
From the great classics of literature to detective stories, Jean-Michel's aim is to bring out the particularity of each piece of work with his always shifted tone.

Kim Roselier illustrated the main themes of the new attraction imagined by the Puy du Fou. The Grand Tour is a 6-day, 5-night show aboard a Belle Epoque train that travels 4,000 km to discover France. Its very graphic illustrations highlight the discoveries of each stage of this open-air show: architecture, craftsmanship, gastronomy, music, arts and oenology.

Jean Jullien had a lot of fun dressing up the tenth À la Mère de Famille Advent calendar. Playing on the playful and narrative side of this medium, he imagined a series of sketches filled with children who are passionate about sweets and invaded by Christmas chocolate monsters!

Debora Szpilman used her elegant style to cover an article in Les Echos Week-end entitled "Ten golden rules for (re)starting to run". We could almost be tempted!

Jean Andre had fun creating this family of super friendly fruits to dress up the collection of cellos, these little bottles of delicious (and organic) citrus liqueurs produced by le Domaine de La mer blanche in Argeles sur Mer.

Télérama asked Jules Le Barazer to illustrate an article about the war between the streaming platforms in France. He signs an illustration series as delightful as usual to highlight in a shifted way the strategies of each one to exist on the screen in France.

On the occasion of the 100th anniversary of the writer's death, L'Obs publishes a special issue entitled "Proust for everyone" with the objective of demystifying his work and making readers want to (re)discover him. Successful bet with this superb cover made by Jean Michel Tixier!

Jean André signs a great collab with Tip Toe, an editor of beautiful, useful and durable furniture. He reinterprets the brand's iconic stool by inscribing his iconic heart on each solid wood seat of an ultra limited collection. The words "love", "karma", and « »p’tit cul" » were hand carved into the stool's seats. For Jean, there was a real coherence with the tattoo, engraved on skin, and the laser process used for the collaboration. A particular attention was also brought for the conception and the manufacturing of the stool, conceived in a responsible way, with care and without concession in terms of quality.